Fiction

Amazon.com
In a world with no poverty, no crime, no sickness and no unemployment, and where every family is happy, 12-year-old Jonas is chosen to be the community's Receiver of Memories. Under the tutelage of the Elders and an old man known as the Giver, he discovers the disturbing truth about his utopian world and struggles against the weight of its hypocrisy. With echoes of Brave New World, in this 1994 Newbery Medal winner, Lowry examines the idea that people might freely choose to give up their humanity in order to create a more stable society. Gradually Jonas learns just how costly this ordered and pain-free society can be, and boldly decides he cannot pay the price. -

From Publishers Weekly
Winner of the 1994 Newbery Medal, this thought-provoking novel centers on a 12-year-old boy's gradual disillusionment with an outwardly utopian futuristic society; in a starred review, PW said, "Lowry is once again in top form... unwinding a tale fit for the most adventurous readers." Ages 10-up.
Copyright 1994 Reed Business Information, Inc.

From School Library Journal
Grade 6-9-- In a complete departure from her other novels, Lowry has written an intriguing story set in a society that is uniformly run by a Committee of Elders. Twelve-year-old Jonas's confidence in his comfortable "normal" existence as a member of this well-ordered community is shaken when he is assigned his life's work as the Receiver. The Giver, who passes on to Jonas the burden of being the holder for the community of all memory "back and back and back," teaches him the cost of living in an environment that is "without color, pain, or past." The tension leading up to the Ceremony, in which children are promoted not to another grade but to another stage in their life, and the drama and responsibility of the sessions with The Giver are gripping. The final flight for survival is as riveting as it is inevitable. The author makes real abstract concepts, such as the meaning of a life in which there are virtually no choices to be made and no experiences with deep feelings. This tightly plotted story and its believable characters will stay with readers for a long time. --Amy Kellman, The Carnegie Library of Pittsburgh
Copyright 1993 Reed Business Information, Inc.

From AudioFile
Praise and controversy precede this powerful story of a boy confronting the hidden truth about his futuristic society. Winner of the 1994 Newbery Award, Lowry's story sparks emotion and response from adults and children alike. This is a compelling prospect for family listening. Initially Rifkin's voice seems too regional to portray the characters of this utopian/dystopian world, but he convincingly conveys the anticipation of the coming-of-age ceremony of Jonas and his friends. As the meaning of Jonas' selection as "Receiver of Memory" unfolds, Rifkin's characterizations become more powerful. Although the story drives the presentation, Rifkin's juxtaposition of the young boy and the old Giver has tremendous effect. His voice for the Giver becomes increasingly weary and strained while Jonas' gains strength. Sharing this audiobook in a family or a classroom offers a valuable opportunity to respond to and discuss Lowry's moving novel. R.F.W. (c)AudioFile, Portland, Maine -

From Kirkus Reviews
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility. As Jonas approaches the ``Ceremony of Twelve,'' he wonders what his adult ``Assignment'' will be. Father, a ``Nurturer,'' cares for ``newchildren''; Mother works in the ``Department of Justice''; but Jonas's admitted talents suggest no particular calling. In the event, he is named ``Receiver,'' to replace an Elder with a unique function: holding the community's memories--painful, troubling, or prone to lead (like love) to disorder; the Elder (``The Giver'') now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as ``release'' is revealed to be murder. Horrified, Jonas plots escape to ``Elsewhere,'' a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing. Wrought with admirable skill--the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12+)